My people tend to be the ones who don't photograph well under fluorescent lights and a forced smile — business owners who built something real instead of something safe, people who want their body or their ink shown off instead of hidden, folks who need a headshot that doesn't make them look like they work in a cubicle they've never actually sat in. If that's you, we'll get along fine.

My one rule is: don't be an a**hole. Everything else — how weird you want to get, what you want to wear, whether we shoot at midnight — we can figure out together. I've been doing this long enough to know the best portraits happen when people stop performing and start being exactly as strange as they actually are.